1990: The Bronx Warriors

1990: The Bronx Warriors and Escape From the Bronx are Italian post-apocalyptic action films directed by Enzo G. Castellari and starring Mark Gregory as Bronx gang leader, Trash.

The second one of these films was campy enough to be featured on Mystery Science Theater 3000 under a different name. I’m going to discuss the 1990: The Bronx Warriors and its sequel together, since anyone interested in the one is likely to want to watch the other.

Casting in these movies included an unknown bodybuilder and the Hells Angels. American actors like Vic Morrow, Fred Williamson, and Henry Silva lent their talents to one or the other of these stories.

Early 80s and Post-Apocalyptic Fiction

It was the early 1980s. Ronald Reagan was in office, calling the Soviet Union the evil empire. While in office, Reagan joked he had signed a bill banning the Soviet Union and he would start launching warheads in 5 minutes time.

Now to hear them talk now, Ronald Reagan was as horrified as anyone when his generals told him we could “win” a nuclear war that would have left 2/3rds of Americans dead. He was also flabbergasted when his saber rattling and a few ill-timed events (Beirut bombing, European war games, bad intel) left the Soviets believing we had launched nukes in 1983–and were minutes away from launching a counterstrike! This really happened, and when a few days later a CIA spy reported this to the White House, it led to serious disarmament talks.

The public knew nothing of this. In fact, the Cold War seemed to be at a fever pitch in the early 1980s. Post-apocalyptic films were going through a golden age. The Road Warrior was capturing imaginations and many copies and offshoots were produced around the globe. The Bronx Warriors was obviously inspired by Escape from New York, while Ezno Castellari appears to have had a major fetish for A Clockwork Orange. Wrap that up in an Italian B-movie package and you get 1990 and Escape from the Bronx. I’ll start with the original, so let’s enter the dark future that is…1990.

1990: The Bronx Warriors Review

1990 Bronx Warriors and Escape from the Bronx

Trash Adds a Certain Elegance to Mourning and Revenge

The original movie seemed to have a bigger budget and appeared to have been filmed in and around New York City. Inside scenes were filmed in Rome. This movie featured Vic Morrow, Fred Williamson, and the Hells Angels. It also had a greater sense of fun about it.

Now it may seem odd to describe a post-apocalyptic film as “fun”, but this movie took itself less seriously. The basic story involves the interplay between Manhattan and the Bronx. Manhattan seems to have survived whatever horrors this alternate-world 1990 went through, enough that you’ll see large amounts of traffic anytime you peer across the East River on the island. In fact, you would think it was any normal day in 1980s New York City–which of course it was. The New York skyline seemed unchanged by the wars which left America prostrate and the Euro-Asia-Africa bloc claiming victory in a war. Apparently, the Russians forgot to nuke Manhattan.

The Bronx didn’t get out so well. We’re told repeatedly how bad it is to live in the Bronx. It’s described as lawless and run by gangs. People from Manhattan wouldn’t be caught dead there–pretty much like in real life (unless they’re going to a Yankees game). The gangs certainly run things, but life isn’t as bleak as you’d expect from the description. For instance, in one scene, you see a group of 4-5 kids down the street playing basketball on a public court. That’s not how I expect nuclear winter to be, but maybe I’m just being pessimistic.

Manhattan is, naturally enough, home to the Manhattan Corporation, which supplies the world with 60% of its military hardware. The heiress to the Manhattan Corporation, Anne (played by Stefania Girolami), can’t take it an instant more, so she runs away from her gilded cage into The Bronx, hoping to get away from some undisclosed terrible situation. Anne is nearly captured by the Zombies, but is saved by Trash and his Riders (no spoilers–this is the first 10 minutes of the film). Before we get to that, let’s talk about the zombies.

Zombies on Wheels

I love the early eighties. This is when dudes on roller skates carrying hockey sticks and wearing painted white Nazi helmets were considered cool and menacing. I suppose if you were walking down the sidewalk and these people appeared, you’d probably be pretty frightened, since you would have to think these people were deranged. Still, you’d have to chuckle to yourself a bit. Adding to their sense of menace, the Zombies have white Old Navy jackets and yellow elbow pads. You have to be tough to pull off that outfit.

Trash and the Riders

Not tough enough for the Riders, of course. These guys look like the Hells Angels because, well, they are the Hells Angels. America’s most famous bikers got a walk-on role in The Bronx Warriors. Unfortunately for them, they had to follow decidely non-Biker actor, Mark Gregory (Trash).

Mark Gregory was cast as Trash because Enzo G. Castellari and he worked out at the same gym. Enzo Castellari thought he had the perfect look for an action hero. Trash certainly was buff, though he was awkwardly tall and he had this jaunty walk. I use the term “jaunty” because I can think of no other way to describe it accurately: too-good posture, stiff, just very odd. (He was less stiff, and less buff, in the sequel). Something about Trash seems effiminate. With his youthful face and long hair, Trash looked like he should be the frontman in an Eighties hair band.

From what I’ve heard, the Hells Angels were none too impressed by Mark Gregory. In his turn, Gregory apparently wasn’t much impressed by movie making. Termed shy by the director, Mark Gregory has since faded into obscurity, enough so that Enzo Castellari started a 2004 website (now defunct) to help locate his former actor (http://www.bronxwarriors.co.uk/Hunt%20for%20Trash.htm).

Fred Williamson as Ogre

A more convincing gang leader is Ogre, head of the Tigers. Ogre is played by Fred Williamson, who gives his usual solid performance. One day, I’d like to see a study of action stars which tracks their survival rate in action movies. Fred Williamson always seems like a bad man, totally competent and likeable, but doomed from the start. That’s just my observation.

Maybe I just need to see more of the early Fred Williamson movies, though. I heard once he had three rules when working on films: he never loses a fight, he never dies, and he always gets the girl. Williamson claimed he sometimes waived those rules when he made Italian films, because he liked filming in Italy so much. There, he was a movie star, not a blaxploitation star.

Whatever the case, the gangs were fun in Bronx Warriors. Each one had a gimmick, right down to the tap dancing gangs. Again, several reminded me of A Clockwork Orange, but these were fun. A big part of the conflict is Trash’s eventually need to get across town (The Bronx) through several gang’s territories. That was good stuff, though the action left a little something to be desired at times. Also, I’m not so sure how tough Trash was supposed to be, because things like netting seemed to give him trouble.

Vic Morrow as Hammer

One of the big treats of 1990: The Bronx Warriors was Vic Morrow as Hammer. Hammer is sent by the corporation to get Anne back. As a man from the Bronx originally, he’s uniquely qualified to find the missing heiress. It also helps that he’s a psychopath. This was the penultimate film in Vic Morrow’s career, because he was killed on the set of The Twilight Zone movie when a helicopter accident (struck by the chopper’s blade) left him dead. To see Vic Morrow in all his glory, watch The Bronx Warriors.

All in all, this film was so silly that you had to like it. I feel like it’s vastly superior to the sequel, 1990: Escape from the Bronx, if for no other reason than it was less overtly political and more of a romp. I’ll review that other film in the next few days, so stay tuned.

The Cabin in the Woods Review with Ending Spoilers

The genre-bending horror flick The Cabin in the Woods debuted this weekend to critical acclaim. Though the movie got a 92% freshness rating on Rotten Tomatoes from critics, I found the film somewhat uneven. Those who saw the trailer and walked into The Cabin in the Woods thinking it was going to be scary might be disappointed.

If you want clever and funny mixed in with horror lite moments, you’ll enjoy what you see. The Joss Whedon script is full of sly references to horror film genres around the globe. The plot is based around stock American horror movie tropes, especially the splatter films of the 1980s onward mixed with certain elements of cosmic horror in literature.

A Cabin in the Woods Review with Ending Spoiler and Metaplot CommentsWhat you get is a story that hits all the notes of slasher movies, but is something novel and creative. A friend of mine said this would probably be the most original horror screenplay you’d see all year.

That’s not saying much in a genre so derivative, but it’s still a certain distinction.

The Cabin in the Woods Plot

The plot involves 5 young college students traveling to a cousin’s cabin in the wilderness for a weekend of fun. These characters each fit into a horror film type: Curt the Athlete (Chris Hemsworth), Jules the Whore (Anna Hutchison), Holden the Brain (Jesse Williams), Marty the Fool (Fran Kranz), and Dana the Virgin (Kristen Connolly). When you look beneath the surface, none of these character fits their archetype that closely, since Jules is actually Pre-Med and Curt is a sociology major. These characters are shoehorned into these roles by the shadowy puppet-masters.

PLOT SPOILER ALERT: A Gas for Every Emotion

That’s because The Cabin in the Woods is heavy on meta-plot. People back in a control booth are manipulating the narrative. Everything is being filmed by producers Steve (Bradley Whitford) and Richard (Richard Jenkins). The whole thing’s a setup to appease ancient gods who remain sleeping if one nation on Earth makes the proper sacrifice once a year. All the countries of the world stage their own death ritual, including the Japanese, who have a perfect record. The short montage where we see the results of this year’s rituals from Japan, Sweden, Brazil, and elsewhere was priceless.

What I thought was a little cheesy was the use of special gas to prod characters’ actions. The aphrodisiac pheremones made a certain sense, but the gas which (SPOILER) caused someone to change their tactics seemed a little too much.

Also, every time the tension rose and a scary moment appeared ready to break out, the director panned back to the control room for a punchline. Don’t get me wrong: one-time Oscar nominee Richard Jenkins and The West Wing’s Bradley Whitford were terrific in their scenes. The entire production crew was so nonchalant about killing innocent victims that it reminded me of the C.S. Lewis quote, “The greatest evils in the world will not be carried out by men with guns, but by men in suits sitting behind desk“. I also thought about the Milgram experiment (http://en.wikipedia.org/wiki/Milgram_experiment).

It was a sign of good writing that you still kind of liked these characters. I especially liked the action-movie version of Bradley Whitford towards the end, but trying to be a comedy and a horror story meant the end result fell between two proverbial chairs.

The Cabin in the Woods Social Commentary

Of course, the humor is meant as social commentary. In a wider sense, the Ancient Ones aren’t really so much ancient old ones or old gods so much as they’re the viewing audience of Hollywood films in general and horror cinema in specific. Youths die in horror movies every year not to appease the gods, but to appease the American public. We might act like we want original storytelling and surprise twists, but the same formula is used over and over again because zombie horror and cheap torture porn makes money.

ENDING SPOILER ALERT: How It All Ends

That’s why the big titan fist at the end makes so much sense. At first, I was a little disappointed that Cthulhu or some other Lovecraftian horror didn’t emerge to devour the Earth. But the giant human fist is more apt than something out of H.P. Lovecraft, because the human viewers are who really pass judgment on whether more youngsters get sacrificed. But let’s get to the nuts and bolts of the ending of The Cabin in the Woods.

First of all, I enjoyed the mayhem at the end when all the movie monster options got released from their cages. The Pinhead knockoff made me laugh, though I’d like to have seen more of the film monsters so I could have enjoyed the various homages. I guess that’s what repeat viewings are for.

Second, the ending was lame. I got the idea the writers and filmmakers wanted to show the gods come to life, so the ending was preordained. I got the idea we crossed over from the nice character-driven storytelling of Joss Whedon to a more plot-driven narrative in the final scene.

Most normal people, when they’re confronted with the idea they can die a fairly painless death and save the human race or live for a few minutes and let the human race (including them) die a horrible death, they would choose the bullet in the head over the alternative.

To Be or Not To Be…an Asshole

Instead, the two survivors sit around smoking weed as 6.7 billion people or so are snuffed out. I know these college students are pissed they were singled out for sacrifice, but it’s hard to blame the whole human race for that because “it’s time for a change”. Maybe that was some powerful weed, but what an awful conclusion for these characters to come to.

I suppose you could say they’d been so traumatized they weren’t thinking straight, but they seemed otherwise rational. To know the facts and choose to let everyone else die for the sake of spite or indifference is akin to murdering nearly 7 billion people and committing genocide on an unprecedented scale: an act 1000 times bloodier than the Holocaust.

In other words, it was an asshole move on the part of the two surviving characters. I guess maybe it was time for a change.

Related Posts

Comedy Horror Movies
Wes Craven Movies and Scream Metafiction
The Cabin in the Woods Wiki Page

Does Netflix Send Scratched Discs to Drive Customers to Streaming?

I’m one of those old school Netflix users who prefer getting DVDs in the mail.  I resist the move towards streaming videos. Heck, most of us get nothing but bills and junk mail in our mailbox, so I look forward to getting a new movie rental in the mailbox every couple of days. It’s like getting a treat.

What isn’t a treat is getting the DVD or blu-ray disc that is scratched, broken, or otherwise unwatchable. In the past two-and-a-half months, I’ve received 3 broken or scratched DVDs that I had to send back without watching all the way through. When the third disc started messing up, my first thought was, “I sure hope Netflix doesn’t think I’m ruining all these discs.”

Scratched Netflix Discs: A Conspiracy Theory

Then another thought occurred to me: is Netflix letting their disc catalog “go bad” in order to drive customers to streaming? I’m not saying that’s the case, but I wanted to float that theory out there and see if other Netflix disc watchers have noticed a decided uptick in messed up DVDs.

Are Netflix Broken DVDs Part of Streaming Behavior Modification

Broken DVD #28 Courtesy of Manuel

It may seem crazy to think a business would sabotage their own product in order to modify the behavior of their customers, but this wouldn’t be the first time for this particular company. Netflix has gotten into the nasty habit of providing worse or lesser service when it served their purposes.

Netflix’s List of Nefarious Customer Relations

If the online film rental and video watching community is right, Netflix has a history of customer behavior modification through providing worse service. A class-action lawsuit in 2005 revealed that Netflix “throttles” mail rentals to high-volume video watchers, because if these discs get to the customer and back too soon, Netflix is operating at a loss providing service to that Netflix user.

Netflix also eliminated the “Releasing This Week” feature from their site (or made it hard to find), because they knew this led to too many people putting new releases at the top of their queue. Even those who did what Netflix wished and moved to video streaming think
Netflix is throttling service to modify their behavior.

Qwikster: Worse Service Equals Big Profits…NOT!

In light of those practices, is it so crazy to think Netflix would let their DVD and blu-ray catalog go bad, hoping it will drive disc renters to switch to streaming?

Everyone knows Netflix has added motivation enough to switch to streaming, offering a streaming plan for the $7.99 per month rate while raising our snail mail prices. We’re all aware of the Qwikster fiasco, when Netflix CEO Reed Hastings tried to move all the DVD users over to a whole other website named “Qwikster“, as if we were the red-headed stepchildren of the Netflix family (I say that as a redhead).

So why wouldn’t they let their video catalog slowly wither on the vine?

I’m not saying I think Netflix has employees deliberately scratching discs or otherwise sabotaging their own products. I’m wondering if they might be devoting less of the budget to replacing or repairing bad discs, hoping that repeated bad experiences cause the average DVD renter to say, “Screw it! I’m dropping DVDs and blu-rays and switching to streaming.”

I could be wrong. That would be a big risk to provide bad service hoping for a switch to the new technology, because these same customers might come to the conclusion Netflix sucks and they’re going to find another way to rent films. Every scratched blu-ray or DVD could be one more customer using Redbox. In light of last year’s disastrous public relations and stock market performance of Netflix, alienating their customer base might be the last thing on their mind. I just want to know what other Netflix people’s recent experiences are.

Pissed Customers Speak Out

To study this thesis, I went to Pissed Consumer and did a search using “scratches Netflix“. I found a number of irate customers complaining of scratched discs, along with one or two who claimed they’d noticed a difference in the quality of their DVDs.

    • There was “BBB444444″, who complained on November 27, 2011 that DVD condition had worsened in the past few months. She says she thinks they’re stealing money before they go out of business and can’t imagine another reason they would send out bad discs, but I can imagine another reason.
    • Then there was “Ferenczy36″, who claimed his/her Rockstar CD-Rom htat was mistakenly sent to Netflix came back broken. That might not have much to do with our discussion, but one of the replies (from “Mary”) described on April 23, 2011 that she had received 7 bad discs in a row. This got me to thinking: maybe disc-scratch negligence didn’t start after the Qwikster debacle, but in the months before the push for streaming, as a way to cause frustration and disenchantment with DVD rentals.
    • A discussion started by “Caesar1951″ offers interesting insight into the state of Netflix blu-ray rentals. I can’t speak to blu-ray quality nearly as much personally, but I would have thought blu-rays would be in better condition than DVDs, since they would presumably be newer and in better condition. According to over half the people on that thread, Netflix blu-ray quality is low, too.
    • PACMAN on August 3, 2011 complained about the low quality of discs, saying they’d had multiple problems. The reply on this thread by “R Smith” on January 15, 2012 is mostly gibberish, but if I’m deciphering correctly, it says, “They just don’t keep up the quality on their dvds…They’re…only interested in more money from instant play…They’ve really declined in (the) quality of their service.” I couldn’t have said it better myself, R Smith (well, I kind of did, but you get the point).

Again, I could be wrong. These are posters on a site called “Pissed Customer“, so I assume the site might attract more than its share of disgruntled people.

In my case, two of the bad discs I received were 10-year old tv series that probably had a lot of watching and a lot of wear-and-tear. But then, I’ve watched a lot Netflix discs over the years that meet the same description. I’ve never had anywhere close to 3 broken discs in 8-10 weeks time. Who knows–maybe I’m getting discs right after some lousy customer  who just-so-happens to like the same television programming.

It’s possible.

But it’s also possible that Netflix policy makers could see the value in letting the quality of their discs slowly erode, knowing that many customers will eventually get disgusted and thus switch to the more cost-effective streaming videos.

Call Me, We’ll Talk

Now that I think about it, a theory of malign neglect doesn’t sound so crazy after all. Even if Netflix hasn’t been doing this already, I’m sure if they ever got wind of this theory drifting through the Internet, Reed Hastings and his fellow policy makers would be discussing a new strategy at their next board meeting.

If so, let me tell the Board of Directors I’m extremely devious and this is just the tip of the iceberg. For much less than those other schemers you have working for you, I can come up with all kinds of crazy ways to mess with people’s minds.

In that case, Netflix should consider this my resume.