David Lynch Coffee

David Lynch’s coffee obsession was on display for anyone who watched the Twin Peaks television series. It sometimes seemed like most of the characters in that tv show had a coffee fixation themselves. Mulholland Drive is another David Lynch production where people consumed coffee and the idea of coffee sometimes consumed the characters.

The fact is, David Lynch likes coffee. David Lynch likes coffee…a lot. In fact, the famed absurdist director loves coffee so much that’s he began marketing his own official brand here in the last few years.

The director found one particular coffee product he liked most of all (on blind taste tests). He contacted the manufacturers and, the next thing you knew, there was a David Lynch Signature Cup Coffee. As the director of Blue Velvet and other screen classics has said before, “I like cappuccino, actually. But even a bad cup of coffee is better than no coffee at all.

Since the signature brand went on sell, David Lynch has gone to considerable lengths to promote his coffee, including directing his own product commercials (that are brilliantly disturbing). He’s appeared on tv shows promoting his coffee and even hijacked interviews for other projects by diverting talk to his signature product. With the film genius behind Eraserhead, this isn’t a mere marketing ploy. This is a lifelong fascination for brewed coffee beans, though.

Apparently, tons of coffee was a key to some of David Lynch’s early writing breakthroughs: “I’d have coffee, sometimes six cups, along with the shake, and I’d have sugar in my coffee. By then I would be pretty jazzed up, and I’d start writing down ideas.”

Odd David Lynch Commercial

I defy anyone to find an odder commercial than this David Lynch coffee commercial, whose director and actor is David Lynch himself. First of all, this is 4-minute commercial. Second, David Lynch is cupping a Barbie doll head in his hands, talking to the doll like he’s in love with her as creepy music plays in the background. Lynch keeps telling Barbie he’s going to get her a cup of coffee: “Let’s go get that cup of coffee, baby.”

On the positive side, it is organic coffee.

This isn’t the first coffee commercial David Lynch has directed. The oddball director, known for his coffee obsession, once directed this Japanese coffee commercial by David Lynch. You might be disappointed, though–one person described it as the least surreal thing on Japanese television (they were right).

David Lynch at Book Soup

You can tell David Lynch has a real obsession for brewed coffee beans. Here’s a clip from of David Lynch’s Book Soup visit in which he talks about his signature coffee cup. Book Soup is a book store on Sunset Boulevard which touts itself as “The Bookseller to the Great & Infamous”.

David Lynch Says Water Is Good

The coffee tangent has taken David Lynch to new beverage avenues. In one interview, he discussed how New York City has good water for coffee brewing, then diverted the conversation to the subject of water itself. Making a point about all human life–nay, virtually all known life itself–David Lynch went on to say, “We’ve got to drink something. Do you just drink water, sometimes? It’s very good for you.”

That’s profound stuff and people would be wise to listen.

Java Distribution – David Lynch Signature Cup Coffee

Java Distribution doesn’t just sell David Lynch Signature Cup Coffee. Java Distribution makes office sales or home deliveries throughout the United States and Canada.

With no minimum orders and no contracts, you can purchase espresso, decaffeinated blends, certified organics, and flavored coffees in three different flavors (vanilla, chocolate, and hazelnut). You can call Java Distribution via phone at 303-494-6348 or using the fax machine at 303-494-4179. The email address at Java Distribution is javadist@mho.com. These are distributors, so I couldn’t tell you where you’d need to contact David Lynch about his coffee products.

Now I’ve had a cup of coffee from this seller and, while it’s good, I didn’t find it an earth-shattering experience. But then, I don’t love cappuccino the way David Lynch does.

If that’s not enough, I’ll leave you with one more David Lynch quote about cups of coffee: “If you turn away from them for one second, they go cold on you.”

David Lynch Music

When you think of the term “David Lynch music”, you probably think about the soundtracks of David Lynch films. What you might not know is that the multi-talented David Lynch, who began as an art student, is also a professional musician. David Lynch has written singles and he’s put out his own CDs. The famous director of such oddball classics as Blue Velvet, Eraserhead, and Mulholland Drive hasn’t just produced blues-inspired rock and electronic albums, but Lynch has directed several music videos.

David Lynch Albums – David Lynch CDs

In short, David Lynch is no stranger to music. He wrote music for Twin Peaks: Fire Walk with Me, Mulholland Drive, Rabbits, and Wild at Heart. He also co-released a 2001 rock album alongside John Neff (titled “BlueBob“). No joke–David Lynch plays guitar on the album “upside down and backwards”.

This was followed by David Lynch’s 2010 solo album, Crazy Clown Time. Crazy Clown Time is described as an electronic blues album. One track features Karen O of the Yeah Yeah Yeahs. In 2011, David Lynch released the 11-track album This Train. He also produced two electro pop songs back in 2010, called “I Know” and “Good Day Today”.

Lost Highway Rammstein Video

For those who enjoyed the mundane absurdity of David Lynch’s coffee obsession, I thought I’d point out a music video with scenes from Lost Highway in it. Not that this has anything to do with coffee, but for those who’ve watched all the David Lynch films and think there’s nothing new under the Sun with David Lynch, here’s something you might not have seen: a Rammstein video directed by David Lynch.

If you’re not familiar with Rammstein, they’re classified as an industrial band, but Rammstein is placed in the German Neue Deutsche Harte scene. Rammstein is also known for its controversial rock videos, including numerous cases of male and female nudity (“Man Against Man”, “Pussy”, “Mein Land”) and the infamous video where they poke fun of the Armin Meiwes cannibalism trial (“Mein Teil”).

This has landed Rammstein on the Index of the Federal Department for Media Harmful to Young Persons (aka the “Bundesprufstelle für jugendgefahrdende Medien” or GPjm), a German government ministry which says their albums can’t be sold to German minors. As band member Paul H. Landers put it, “We like being on the fringes of bad taste”.

By comparison, David Lynch’s contribution to the “Rammstein” video (that’s the name of the song) seems kind of tame. Still, if you enjoyed Lost Highway, you’ll want to see the video. The song “Heirate Mich” also appeared on the Lost Highway soundtrack, which serves as an excellent peek into the industrial music scene in the mid-1990s.

David Lynch and Michael Jackson

David Lynch put together teaser video for the 1995 Michael Jackson “Dangerous” video. I’ve seen him listed as the director of this video, but so many versions of the Dangerous album and subsequent videos were put out that I can’t tell if Lynch only directed the commercial or one of the videos on the Dangerous album. I would appreciate anyone with the answer providing me with that.

David Lynch and Wicked Game

Chris Isaac’s Wicked Game appeared in the 1990 film “Wild at Heart” by David Lynch. Lynch even directed a Wicked Game music video, but it’s not the more famous video that had Chris Isaak and Helena Christensen rolling around on a beach in black-and-white (and little else). The Wicked Game single wasn’t much of a hit when it first came out in 1989, but when the song appeared on the Wild at Heart soundtrack, an Atlanta dj who liked David Lynch films started giving the song air play. Soon enough, Wicked Game was a runaway hit.

Shot in the Back of the Head – Moby Video

The video for Moby’s 2009 single, Shot in the Back of the Head, was directed by David lynch. In this case, the video involves crude drawings involving a love affair between a man and a woman’s head. That’s classic David Lynch. The video was released specifically on Pitchfork TV.

David Lynch Quotes

I’ve been reading a biography on David Lynch lately. That got me to reading interviews and media outtakes over the years.

First of all, I’m somewhat amazed at how prosaic his life really is. Actors and artists who spend time with David Lynch reflect on how normal of a guy he is, right down to the fact his favorite meal is a quarter pounder from McDonald’s.

That’s hard to reconcile with David Lynch’s films. Once you start to read what the 60-something director has to say about his career, his take on Hollywood, and his philosophy of life, it’s hard to imagine him as “just another guy”.  Those who love David Lynch–and those who hate his movies–should find this list of David Lynch quotes, quotations, and sayings illuminating.

One thing is certain, David Lynch is no put-on. I can’t remember who said it about him, but one foreign producer described David Lynch as “an American original”. That might be what makes him stand out from the crowd is that David Lynch has his vision and he follows that vision without any compromise. It may not fit into any neat package for the promo people, but then, the promo people usually suck.

David Lynch on the Absurb

“The concept of absurdity is something I’m attracted to.”

“Absurdity is what I like most in life, and there’s humor in struggling in ignorance. If you saw a man repeatedly running into a wall until he was a bloody pulp, after a while it would make you laugh because it becomes absurd.”

David Lynch on Hats

“Hats–they’re great! I wore this real cool one constantly for six years–a ten gallon cowboy hat. I love Forties movies when everyone wore a hat. Now there are no more hats, and that’s a real shame.”

David Lynch on Insects

“A National Geographic photo of a garden is just the most beautiful thing. But there are a lot of things attacking a garden. There’s a lot of slaughter and death, worms and grubs. A lot of stuff going on. It’s a torment.”

David Lynch on Machinery

“I love to look at factories and turbines and things.”

David Lynch on Cooking

“I don’t allow cooking in my house. The smell. The smell of cooking – when you have drawings, or even writings – that smell would go all over my work. So I eat things that you don’t have to light a fire for. Or else I order a pizza. The speed at which I eat it, it doesn’t smell up the place too bad. The smell doesn’t last too long.”

David Lynch on Coffee

A beautiful addiction.

David Lynch on Cows

“My cow is not pretty, but it is pretty to me.”

David Lynch on Bodybags

“The bags had a big zipper, and they’d open the zipper and shoot water into the bags with big hoses. With the zipper open and the bags sagging on the pegs, it looked like these big smiles. I called them the smiling bags of death.”

David Lynch on Sex

“Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way.”

David Lynch on Actors

“Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they’re on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point.”

David Lynch on The World

“This whole world is wild at heart and weird on top.”

David Lynch on New York City

“I grew up in a perfect world, other things were a contrast. When I visited Brooklyn as a little kid, it scared the hell out of me. In the subway, I remember a wind from the approaching train, then a smell and sound. I had a taste of horror every time I went to New York.”

David Lynch on Philadelphia

“I had my first thrilling thought in Philadelphia.”

“[Philadelphia is] horrible, but in a very interesting way. There were places there that had been allowed to decay, where there was so much fear and crime that just for a moment there was an opening to another world. It was fear, but it was so strong, and so magical, like a magnet, that your imagination was always sparking in Philadelphia…I just have to think of Philadelphia now, and I get ideas, I hear the wind, and I’m off into the darkness somewhere.”

“We lived cheap, but the city was full of fear. A kid was shot to death down the street, and the chalk marks around where he’d lain stayed on the sidewalk for five days. We were robbed twice, had windows shot out and a car stolen.”

“It all started for me in Philadelphia because it’s old enough, and it’s got enough things in the air to really work on itself. It’s decaying but it’s fantastically beautiful, filled with violence, hate and filth.”

David Lynch on the Outdoors

“I got the woods out of my system. Now I like cities. I still like the woods though.”

David Lynch on the Meaning of Life

“We’re all like detectives in life. There’s something at the end of the trail that we’re all looking for.”

David Lynch on Ideas

“The ideas dictate everything, you have to be true to that or you’re dead.”

David Lynch on Childhood

“I love child things because there’s so much mystery when you’re a child. When you’re a child, something as simple as a tree doesn’t make sense. You see it in the distance and it looks small, but as you go closer, it seems to grow – you haven’t got a handle on the rules when you’re a child. We think we understand the rules when we become adults but what we really experienced is a narrowing of the imagination.”

David Lynch on His Own Aging

“Between 9 and 17 most of the time, and sometimes around six. When you’re six you can see down the street and you’re aware there may be another block, but the world is pretty much two blocks big.”

David Lynch on Death

“Death in my mind isn’t a finality. There’s a continuum: It’s like at night, you go to sleep and in the daytime you wake up, or whenever you wake up, and it’s a new day.”

David Lynch on Music

“Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can’t just cut to it.”

“Well, music gives you an indication of the mood, again, and if you lock out and find things out upfront they can help you tremendously.”

“Every note of music has enough breath to carry you away and as a director, all you have to do is let the right wind blow at the right time.”

David Lynch on Television

“I didn’t watch much TV as a kid and I don’ t watch it now. I don’ t find anything beautiful or unique to the medium, and the only thing you can do on TV that you can’t do in film is make a continuing story–which is so cool.”

“Television provides the opportunity for an ongoing story – the opportunity to meld the cast and the characters and a world, and to spend more time there.”

David Lynch on Filmmaking

“I really believe that even if you just have a little bit of money there are ways to get into that film and make it work without a compromise. It may take a long, long, long time, like in Eraserhead. We didn’t have the money but we had the time.”

David Lynch on Happy Endings

“Are we in the business of falling in love with stories? What if every movie had to have a positive message at the end? If we only put out pleasant films, nothing would really stop, except that people would stop going to the movies.”

David Lynch on Movie Genres

“I love Surrealism and I love Expressionism, but, I had never seen ‘The Cabinet of Dr Caligari’ until after I had done Eraserhead”. Ideas are the thing, and they just come out in a certain way, based on what you love and what you’re feeling. Later on, you find out that you’re in some sort of school!”

David Lynch on His Influences

“Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.”

“Philadelphia, more than any filmmaker, influenced me. It’s the sickest, most corrupt, decaying, fear-ridden city imaginable. I was very poor and living in bad areas. I felt like I was constantly in danger. But it was so fantastic at the same time.”

David Lynch on Meaning in His Films

“I’m of the Western Union school. If you want to send a message, go to Western Union…you have to be free to think things up.

“It makes me uncomfortable to talk about meanings and things. It’s better not to know so much about what things mean. Because the meaning, it’s a very personal thing and the meaning for me is different than the meaning for somebody else.”

“They come along, these ideas, and they hook themselves together, and the unifying thing is the euphoria they give you or the repulsion they give you…you have to just trust yourself.”

David Lynch on Duality

“We all have at least two sides. The world we live in is a world of opposites. And the trick is to reconcile those opposing things. I’ve always liked both sides. In order to appreciate one you have to know the other. The more darkness you can gather up, the more light you can see too.”

David Lynch on Film Noir

“There’s a beguiling and magnetic mood. There’s so much darkness, and there’s so much room to dream. They’re mysteries, and there are people in trouble, and uneasiness.”  

David Lynch on Mysteries

“I love the process of going into mystery.”

“The more unknowable the mystery, the more beautiful it is.”

“Secrets and mysteries provide a beautiful corridor where you can float out. The corridor expands and many, many wonderful things can happen.”

“To me a mystery is like a magnet. Whenever there is something that’s unknown, it has a pull to it. For instance, if you were in a room and there was a doorway open and stairs going down and the light just fell away, you didn’t even see the bottom, where the stairs ended; you’d be very much tempted to go down there.”

David Lynch on His Own Oddness

“There’s always the danger that I’ll be forever labelled resolutely odd. Because these days there is no time for shading in people, and you’re put in a little box. I’m always put in the category of strange, which I find a little odd. I´m a little different from that, I think.”

Top 10 David Lynch

Those who want to read more about David Lynch should look at this “Top 10 David Lynch Movies” post. If you prefer to see the quieter, slice of life David Lynch, check out this post I linked to above from the David Lynch Coffee quote. Yes, David Lynch has his own official brand of coffee…and he sells it in stores and everything.

Films about Dreams

I’ve noticed that films about dreams tend to appear on lists of the oddest movies time and again. To prove my point, I’ve listed 5 strange movies that happen to be about dreams, daydreams, or fantasies of some sort. Nothing is easier to depict strangely than dreams. By their very nature, dreams and nightmares have an irrational quality to them. It’s only natural that certain creative directors would want to explore the unconscious mind.

Waking Life - Brazil - Arizona DreamA more novel approach might be an attempt at a more literal, analytical dissection of dreams through filmmaking, but that brings me to a theory. There are three types of directors: those who pose questions, those who give us answers, and those who give us a show. Dream films are about presenting watchers with a set of questions that we answer ourselves. We’re given images and interpret them ourselves.

Arizona Dream (1993)
If it’s got Johnny Depp in it, then you know it has to be oddball cinema.

Arizona Dream has a 86% positive rating on Rotten Tomatoes, which may rank it among the highest-rated of strange movies. Emir Kusturica directs Johnny Depp, Faye Dunaway, Vincent Gallo, Jerry Lewis, and Paulina Poriskova through a movie about a fish, Eskimo dreams, and lots of other strangeness. One of the dream scenes at the end of the film might be considered a ghost sequence, but I’ll let you be the judge of that.

Brazil (1985)

Brazil is the story of a low-level government functionary (Jonathan Pryce) who has daydreams about a saving a damsel in distress–that is, a beautiful maiden. Robert de Niro and Katherine Helmond also play key roles in this black comedy set in a dystopian, even Orwellian future (though it’s Orwell turned on his ear). Terry Gilliam of “Monty Python” fame directs in one of his trademark tales about the industrial world we live in.

A Waking Life (2001)

This trippy film written and directed by Richard Linklater is about a young man slowly waking up from his dreams. This becomes an exploration of everything from lucid dreaming to existentialism to politics and even post-humanity. The film was acted by real people, then rotoscoped based on their acting. The cast include Ethan Hawke, Julie Delpy, Adam Goldberg, and Steven Soderbergh. Wiley Wiggins plays the protagonist.

You know a movie is getting heady and philosophical when it has an all-star cast of living philosophers. Real-life professional thinkers like David Sosa, Kim Krizan, Robert C. Solomon, and Louis H. Mackey make appearances.

Richard Linklater would go back to this well again in 2006 for his A Scanner Darkly, which I’m going to have to watch again, because I turned it off the first time. (Something about having Keanu Reeves trying to philosophy just turned me off–God bless him.) I preferred this A Waking Life. If you watched A Scanner Darkly or think this sounds like drivel, I’ll point out it does have an 80% rating on Rotten Tomatoes, though I think critics sometimes give a pass to mediocre movies if they’re supposed to be smart. Just my opinion, though.

Black Moon (1975)

“Black Moon” could also make a list called “Movies about Unicorns” or “Films about Alice in Wonderland”, which should give you some idea of the oddities you’ll find in this production. Louis Malle was the director of Black Moon, which is about a girl trying to escape a civil war between men and women and ends up in another world…a kind of dream world.

“Black Moon” stars Joe Dallesandro, Alexandra Stewart, and Therese Giehse and was supposed to comment on the womens liberation movement of the 1970s. If you can come to conclusions on the movement based on what you saw in the film, write to me and I’ll give you a shout-out, because I couldn’t make heads nor tails of it. I did like the inclusion of Joe Dellasandro in the cast.

Joe Dellasandro is the former male prostitute turned underground film sex symbol of the 1970s. He starred in movies like Flesh for Frankenstein and Blood for Dracula (also known as “Andy Warhol’s Frankenstein” and “Andy Warhol’s Dracula”), where he’s famous (kind o) for his bizarre portrayal of a communist hero fighting that dirty aristocrat, Dracula. Yikes!

Anyway, Black Moon is a weird exploration of dreams, but it can’t be too whacky, since I saw part of it one night on Turner Movie Classics.

The Discreet Charm of the Bourgeoisie (1972)

“The Discreet Charm of the Bourgeoisie” won the Academy Award for Best Foreign Film along with an Oscar for Best Screenplay. The director is once again Luis Bunuel some 43 years after his surrealist masterpiece (alongside Salvador Dali), An Andalusian Dog. That’s good training for this story of a gathering of five upper-class bourgeois friends and the dreams of four of the group. The narrative doesn’t follow a logical path, though the characters seem to accept it as such. If you get put-off by such traits in film characters, you might not like this one. Still, when you’re watching a movie about dreams, you almost have to expect certain flights of fancy with the narration.

Elements of the plot involve a fictional republic, a theatrical stage, a female terrorist, sex, cocaine trafficking, a remote country road, more sex, and social snobbery. It’s almost like someone took a hat full of story elements and drew a certain number at random. Still, I’ll give Luis Bunuel credit for making entertaining dream sequences.

Odd Films about Dreams

These cinema classics have appeared on several lists of the weirdest films in the world. It’s no coincidence they all happen to be about dreams, or that’s how I interpreted these DVDs. Tell me if I’m wrong, people.

I know I’m overlooking some great movies about dreams, so I encourage readers to reach out and let me know about oversights. I’d like to see what other directors have to say about the human subconscious and what that has to say about our waking state.

Father’s Day by Troma Films

“Father’s Day” by Troma Entertainment is a retro-farcical exploitation film that offers lot of energy and some skill in the film making. I have to admit I’ve become jaded about most horror films these days, because they just seem to fall into too many patterns. You can’t say that about Father’s Day. Not many horror movies could be described as “rollicking”, but Father’s Day is one of them.

Astron-6 - Horror EntertaintmentAnyone who’s ever seen Troma films knows what they’re getting into: blood, gore, gratuitous nudity, and probably some gross-out moments. Father’s Day, marketed by Troma as an answer to Mother’s Day, fulfills all those descriptions.

I didn’t expect much from Father’s Day and ended up being pleasantly surprised. When I saw that the director was “Astron-6“, I thought to myself, “Oh, no, this was done by some artsy European director.

It turns out Astron-6 is a movie making outfit from Canada whose taste in film blends nicely with Troma Films.

TASTE WARNING: Before I discuss the movie too much, let me warn anyone who’s easily offended to stop reading. Don’t let your children read this review, because they’ll be scarred for life. Since this is Oddfilms, you shouldn’t have to be told. Let’s start.

Father’s Day Plot Synopsis

Father’s Day revolves around a serial killer named “Chris Fuchman”, who goes around town sodomizing and then killing fathers. Years ago, Fuchman murdered the father of Ahab (Adam Brooks) and Ahab is out for revenge. This is one of those stories where the boy grows up with one goal–to become a bad-ass and get revenge. Made an orphan by Fuckman’s evil, Ahab traveled the world, hid out in the woods, and learned the art of making maple syrup. Meanwhile, Ahab’s younger sister (Amy Groening), is packed off to an orphanage and grows up to become a stripper.

Also meanwhile, Twink (Conor Sweeney) is a good-for-nothing who gives men blowjobs and argues with his concerned father, played ably by Billy Sadoo. When Twink’s Dad is brutally sodomized and murdered by Chris Fuchman, Twink gets in on the revenge game.

The monster-hunting trio is completed when Father John Sullivan (Matthew Kennedy) gets in the game. One of my favorites was Twink’s partner in slime, Walnut (Garrett Hnatiuk).

My favorite character of the movie was Father O’Flynn (Kevin Anderson), the Irish Catholic priest who made pronouncements from his deathbed. The blind father’s eyes were glowing, making it appear that his feeding tube must have been pumping radioactive material into him. Cool visual, though.

This group goes off to find Chris Fuchman, learn about his connection to the Fuckmanicus, and put a stop to his evil. Along the way, we get to see lots of bare breasts, more dingus than I’d care to have seen, and lots of gore. You also find out what Ahab’s tasty berries are all about. Father’s Day is epic, even cosmic, in scope, as the action ranges all the way from Heaven to Hell and everywhere in between. You also get to see Troma Entertainment’s co-founder, Lloyd Kaufman, play both God and the Devil. Good stuff.

Father’s Day Review

Father’s Day is a revenge tale mixed with a slasher film. Along the way, Father’s Day becomes complete farce, but that’s a good thing. You could tell that the cast and crew of Father’s Day had a good time making this movie, which translates to entertainment for the viewers. I won’t say that a cast having fun always equals entertaining (see those godawful “Ocean’s Eleven” films), but it usually helps when a film like this doesn’t take itself too seriously. There’s nothing worse than the pretentious bad horror movie–and this isn’t it.

Father’s Day, like all Troma films, is low-budget. You won’t always see a lot of skill in the acting and direction, though the film had better acting than most low-budget horror shows. Some of the dramatic shots and poses were top-notch, too. All in all, Troma Film’s Father’s Day should entertain most horror watchers. It beats the hell of out Land of the Dead.

Random Thoughts on Father’s Day

  • Ahab looks like a cross between Jason Lee and Jeremy Piven–with an eyepatch.
  • Chelsea looks a little like Willow from Buffy if she were really hot, brunette, and a stripper.
  • Twink appears to be the lovechild of Jake Bussey and Napoleon Dynamite.
  • Father John Sullivan looks like a wimpy version of Christian Bayle.
  • I kept wondering why Sleazy Mary showed up so much–I felt like I was supposed to know who she was. Sleazy Mary was played by Conor Sweeney’s sister. Despite being in a non-hot role, I thought she was kinda attractive.
  • Yes, Chris Fuchman does look a little like a fat Dwight Schrute.
  • Father’s Day won Best Film and five other awards of Toronto After Dark 2011.

About the Director – Astron-6

Astron-6 is a collaboration of five Canadian actors and filmmakers: Matthew Kennedy, Adam Brooks, Conor Sweeney, Steven Kostanski, and Jeremy Gillespie. Conor Sweeney’s sister, Meredith Sweeney, is occasionally seen in photographs of the bunch. She’s listed as an “Astron-6 favorite”. The Adam Brooks in Astron-6 is not the Australian politician or the Canadian director and screenwriter, no matter what Wikipedia says. Matt Kennedy is also not a retired American soccer player.